Digital Asset Management

Your whole archive — shot, edited, cleared, and published in one place you own.

Foveio replaces the stack creative teams duct-tape together — Bridge, Camera Raw, Lightroom, an Immich-style library, and a newsroom DAM — with one self-hosted platform. Non-destructive RAW develop, semantic search, rights clearance, and C2PA provenance, on your own infrastructure.

CR3 · NEF · ARW · DNG · ProRes · HLS

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Four layers, one platform

The tools you stitch together, finally on speaking terms.

A RAW develop pipeline, a smart library, an editorial desk, and a video workspace — each strong on its own, each aware of the same asset, metadata, and provenance.

Library

Face clustering, visual and semantic search, albums, and governed sharing — Immich-grade smart cataloguing across every frame you have ever shot.

CLIP search · face groups · shared albums

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Develop

Non-destructive RAW editing in the browser — a WebGPU develop pipeline with LUTs, AI masking, and a full history stack. Your negatives stay untouched.

Editorial

Submission, review, rights clearance, and wire distribution — with C2PA provenance carried end to end.

Video

Ingest to HLS, transcripts you can search, frame-level lookup, and timecode comments your team can resolve.

A Canon DSLR resting on a warm wooden table in soft daylight

Develop

Edit RAW in the browser, ruin nothing.

A GPU develop pipeline runs on WebGPU, so CR3, NEF, ARW, and DNG files render and grade at full resolution without a desktop install. Every adjustment is a layer you can take back.

  • Non-destructive develop — exposure, tone, colour, and detail stay editable forever.
  • LUT support and AI-assisted masking for skies, subjects, and skin.
  • A complete history stack: branch a look, compare versions, revert in one click.
  • Originals are never overwritten — derivatives render on export.

Editorial

From assignment to wire, with the paper trail intact.

A newsroom desk moves a frame through submission, review, and rights clearance, then pushes it to the wire as NewsML-G2 or straight into your CMS — provenance attached the whole way.

  • Submission and review queues with caption, credit, and embargo controls.
  • Rights clearance gates so nothing ships without a cleared licence.
  • Wire distribution in NewsML-G2 plus direct CMS push.
  • C2PA content credentials and clean kill-notice handling for retractions.
A photojournalist shooting with a long lens on a busy city street
Two creatives reviewing photo work together on a laptop in a warm cafe

Studios

Share work without losing the thread.

Studios and agencies run shoots, hand off selects, and keep clients in the loop — with roles that decide who can see, develop, or publish, and links you can revoke.

  • Roles and permissions for shooters, editors, producers, and clients.
  • Governed share links — set expiry, watermarking, and download rules.
  • Impact tracking shows where a frame ran and how it performed.
  • Comments and selects stay attached to the asset, not a side channel.

Own your stack

A DAM that answers to you, not to a billing dashboard.

Foveio is infrastructure you operate. The provenance, the keys, the isolation, and the bytes are all yours.

Self-hosted

Runs on your own servers as a standard container stack. No mandatory cloud, no per-seat hostage situation.

C2PA provenance

Capture-to-publish content credentials travel with every asset, so a desk can prove where a frame came from.

Bring-your-own AI keys

Point search, masking, and transcription at Groq, OpenAI, Anthropic, or Gemini. Swap providers from a settings panel — never locked to one vendor.

Tenant isolation (RLS)

Row-level security separates every tenant at the database, not just the UI. One deployment, hard walls between teams.

Your data on your infra

Originals, derivatives, and metadata sit in storage you control. Export the lot whenever you want, in open formats.

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Request access

Bring your archive home.

Tell us about your team and the formats you shoot. We will set up a Foveio instance you run and own — from the first RAW to the published frame.